• Home
  • For Inquiries
  • a the open field
  • b Painting Music
  • c the open field fifteen years later
  • d The Contradiction
  • e The Bunch of Keys — The Dispossessed
  • f Christmas Eve
  • g The College Groves
  • h The Salamanca
  • i The Rights of Man
  • j The Girl Who Broke My Heart
  • k Jenny’s Welcome to Charlie
  • l The Blackbird
  • m The Morning Dew
  • n Wasilly Kandinsky on Colours
  • p The Piper’s Chair
  • q later work

the open field

music paintings

Feeds:
Posts
Comments

h The Salamanca

The Art of Now

st-brigidNo one knows how they played music thousands of years ago, but we know how they painted, sculpted, crafted and built. The artist’s sources can be traced back 37,000 years. That’s a very deep well to draw from, a very old tradition.

‘The work of art is born of the artist in a mysterious and secret way. From him it gains life and being.  Nor is its existence casual and inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life. It exists and has power to create spiritual atmosphere; and from this inner standpoint one judges whether it is a good work of art or a bad one.”  Kandinsky, Concerning The Spiritual in Art, 1925

The time of the art object is always now. In art all things in common are contemporary. Art exists in the time-free zone. The art object is a vehicle for spiritual transport. The art object is a time machine. The art object is representative of the other worlds of perception/experience. Did you know the Australian aborigines believe the world is dreamed, sung, told, and painted into being? And if the dreams, songs, stories, paintings stop the world will return to chaos. This is like the theory of entropy in thermodynamic.

 best res salamanca

The Salamanca: DC#B: blue, orange, red. I had to move a complex of notes from part one into part two on the lower right. The reel has to go round and the picture has to “work.” This painting reminds me of Rockport, Massachusetts where I grew up, Cliffs, quarries, slag heaps, granite piers, hanging gardens, stacks of wooden labster pots, and studios made out of old fishing shacks. An artist colony during the 50’s and 60’s.

NEXT

Like this:

Like
Be the first to like this page.

  • Pages

    • a the open field
      • Artist biography
      • Picasso and Me
      • The Begging Bowl
    • b Painting Music
    • c the open field fifteen years later
    • d The Contradiction
    • e The Bunch of Keys — The Dispossessed
    • f Christmas Eve
    • For Inquiries
    • g The College Groves
    • h The Salamanca
    • i The Rights of Man
    • j The Girl Who Broke My Heart
    • k Jenny’s Welcome to Charlie
    • l The Blackbird
    • m The Morning Dew
    • n Wasilly Kandinsky on Colours
    • p The Piper’s Chair
    • q later work
  • NOT Synesthesia!

    • NOT Synesthesia!
  • painting music

    • painting music
  • theopenfield

    • Introduction
  •  

    June 2012
    M T W T F S S
    « Oct    
     123
    45678910
    11121314151617
    18192021222324
    252627282930  
  • Recent Posts

    • the open field — renaissance to present

Blog at WordPress.com.

Theme: MistyLook by Sadish.


Follow

Get every new post delivered to your Inbox.

Powered by WordPress.com