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the open field

music paintings

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i The Rights of Man

kevin-griffin1“When he admires some natural object, is it merely because the harmony of form and color affects us? No, it is because, above all, we have an instinct in us, and at times an awareness, more or less conscious, of the ordering of the universe: and the object we admire answers to that order and reveals to us the measure of its adaptation.”
Ozenfant
Foundations of Modern Art, 1952

 

 

 

 

 

rights-of-man1
The Rights of Man: To my standards this is the most accurate piece of music painting in the series. I can’t improve on it or interpret it any other way. Those are chords behind the notes. I did find violet in music, after all, second chord from the bottom left.

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  • Pages

    • a the open field
      • Artist biography
      • Picasso and Me
      • The Begging Bowl
    • b Painting Music
    • c the open field fifteen years later
    • d The Contradiction
    • e The Bunch of Keys — The Dispossessed
    • f Christmas Eve
    • For Inquiries
    • g The College Groves
    • h The Salamanca
    • i The Rights of Man
    • j The Girl Who Broke My Heart
    • k Jenny’s Welcome to Charlie
    • l The Blackbird
    • m The Morning Dew
    • n Wasilly Kandinsky on Colours
    • p The Piper’s Chair
    • q later work
  • NOT Synesthesia!

    • NOT Synesthesia!
  • painting music

    • painting music
  • theopenfield

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