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	<title>the open field</title>
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		<title>the open field &#8212; renaissance to present</title>
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		<pubDate>Thu, 15 Oct 2009 20:32:12 +0000</pubDate>
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				<category><![CDATA[painting music]]></category>

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		<description><![CDATA[&#8220;Painting, says Leonardo, depends on &#8216;l&#8217;armonica proporzionalita della parti che compongono il tutto, che contenta il senso&#8217;.  Here Leonardo shows himself touched by the predominant Platonism of his time, for the idea that the visual arts were a sort of frozen music was familar to many theorists of the Renaissance, and had been given superb [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theopenfield.wordpress.com&amp;blog=6387263&amp;post=238&amp;subd=theopenfield&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<p>&#8220;Painting, says Leonardo, depends on <em>&#8216;l&#8217;armonica proporzionalita della parti che compongono il tutto, che contenta il senso&#8217;</em>.  Here Leonardo shows himself touched by the predominant Platonism of his time, for the idea that the visual arts were a sort of frozen music was familar to many theorists of the Renaissance, and had been given superb expression by <a href="http://www.noteaccess.com/Texts/Alberti/">Leon Battista Alberti</a>, to whose treatise on painting, written in 1435, Leonardo was greatly indebted.&#8221;</p>
<h6 style="text-align:left;">Kenneth Clark, &#8220;Leonardo da Vinci: An Account of His Development as an Artist.&#8221; Cambridge: 1939<br />
Kenneth Clark, &#8220;Leon Battista Alberti on Painting.&#8221; London: G. Cumberlege,1945</h6>
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